AXIS MUNDI Quartet Album


Listen to the podcast on Radio rcf (in French) of 24th February !


"A captivating album. Quite mysterious and mystical in the face of a sound cosmos that grew out of the moment. In fact, the ensemble around the singer, poet and actress succeeded in creating an impressive work that resonates. The symbiotic relationship between voice and instruments is captivating; how Sascha Ley, Laurent Payfert (double bass), Murat Öztürk (piano) and Jean Pascal Boffo (live sound processing) exchange ideas across a broad spectrum of emotions and how a wide variety of musical eras and styles flash across a long arc of tension. The centrepiece is Ley's almost magical vocal artistry - it includes the spoken word (in this case self-penned) and is a sign of self-confident femininity." Stefan Uhrmacher, Saarbrücker Zeitung DE 02/24


"Another great cd from the brilliant vocalist Sascha Ley and her wonderful musician collaborators." Shelley Hirsch, performer, vocalist, poet NY


"Axis Mundi is more than a mere musical reflection. Whether progressive or experimental, cosmic or Avant-Garde Jazz, this music mingles with Sascha Ley’s vocal performance, at times both sensual and raw, pure and alluring. It is not an easy trip, but the reward is all the more beautiful." Jacques Prouvost, jazz journalist and blogger BE



Live concert at the Subtile

Saturday October 9, a trip to Luxembourg. 

At Subtile. A very beautiful place created by two esthetic women, halfway between an art gallery and a concept of home styling. Here, mainly vintage furniture mixes with the most contemporary, decorative objects and other works of art (paintings, photos, etc.). It is a peaceful place to hang out, meet friends and even attend events or concerts. 

Tonight, the duo Sascha Ley (voc) and Laurent Payfert (cb) took over the space.


The atmosphere is ultra intimate. The two artists are surrounded by around twenty very comfortably seated people. Twenty privileged people (or who, at least, had the good idea to come and witness something unique). 

I was blown away by Sascha Ley's performance during a solo concert in the little church of Rossignol (Gaume Jazz 2018). And I was no less won over by listening to his amazing duet album with Laurent Payfert (It’s Alright To Be Everywhere released by Jazz Haus Musik) which I mentioned here. After a brief presentation, the two musicians decide to improvise extensively and take advantage of the acoustics of the place. Why go “against”? Why impose their music on walls, angles, voids, spaces, resonances? You might as well make allies of them. Might as well make it the third element of the duo. Suddenly, we favor “almost all acoustics”.


Sascha sings, breathes, purrs, growls. 

Laurent drums, rubs, makes the bow moan. 

She invents a language. 

He imagines the punctuation. 

We are fascinated by the way they take us into their world. Performance, music, poetry, declamation, everything is linked. Everything is conducive to making music. The friction of the fingers on the fabric, the friction on the microphone, the point on the chest. 

The vocalist delicately uses her loop machine which pierces her vocals even more. A chant that is sometimes plaintive, as if in pain. Only supported by the double bass which never lets go. 

Laurent Payfert makes the bow dance to an infinite drone effect. He bounces it, picks up the voiceless notes, explores the instrument's range. Then he makes the strings vibrate strongly under his fingers. He also sparingly uses an echo pedal that further coats that big sound. As if pebbles rolled over loam.  

Over the course of improvisations, we invent stories. Are we somewhere on the edge of a cliff on a stormy night? Faced with a wind that violently whips our faces? Do we hear the lamentations, the prayers, the cries of a mother warning her children? Or who is already crying for them? The voice is full of emotion. Rocky. Then velvety. Then acid. 

Are these the children we hear then? Are they playing? Are they taunting us? Are they defying death? Are they still of this world? The voice and the double bass are one. Hug each other. 

Blaze up. Surrender. Let go. 

Short improvised pieces, full of variations and dramas follow one another. 

With class, delicacy and sobriety. 

"New Moon New Day New Prayer" develops on an ostinato (or rather on a haunting motif). Sascha plays with words, modulates each sentence. Stretches certain sentences, cuts syllables, kneads the verb. She brings the message to life. The same goes for this over-the-top version of "Les Feuilles Mortes/Autumn Leaves". This standard is not interpreted, it is embodied. Sascha puts her talents as a dramaturgue at the service of history. She puts her science of gesture and silences at the service of music. Her complicity with Laurent Payfert leads her to offer a double bass solo that goes beyond the solo, beyond the rules, beyond the performance. All that remains is sincerity.


Jazz? Certainly ! Because everything is in this spirit of freedom and skillfulness. The trip was definitely worth it for sure.

Reviews It's Alright To Be Everywhere 2019/20

We know and definitely love them: the Luxembourgish singer and composer Sascha Ley and her French double bass player Laurent Payfert. Constantin Sieg,  Radio Unerhört Marburg (DE) 06/20


Ley effectively explores a variety of emotions without resorting to set lyrics. Payfert has an excellent technique and sometimes swings the music even though he can play as freely as Ley sings. New York City Jazz Record (USA) 06/20

The combination of a female voice and a double bass is an attraction by itself - and if there is such a coherent chemistry as there is between the singer, actress and poet Sascha Ley from Luxembourg (born in Saarbrücken) and the French double bass player Laurent Payfert, the friends of experimental sounds should prick up their ears.
The CD “It's alright to be everywhere” (JazzHausMusik), which comes up with relatively short, seemingly improvised pieces from own compositions, successfully resists hasty cataloging: Ley occasionally moves in the realms of traditional jazz singing, mostly she sets her own of course, tunes in like an instrument, whether archaically sounding and reminiscent of the singing of indigenous peoples or rhythmically percussive - Payfert creates the dialogue with the partner on the bass in a correspondingly modern sound research with minimalist features. The album impresses with its spacious dramaturgy, and in the strongest moments Ley and Payfert open up almost cosmic soundscapes through the use of audio effects such as echoes, samples and loops, and with the support of the Gallic guest musicians Jean Pascal Boffo (guitar, electronics) and Murat Öztürk (piano) without missing the groovy grounding - that has both flow and depth at the same time. Stefan Uhrmacher, Saarbrücker Zeitung & Pfälzischer Merkur (DE) 02/20

Very unique and absolutely captivating!

The Luxembourgish-French duo Sascha Ley & Laurent Payfert offers often wordless, varied vocals in combination with a free melodic double bass. Although their dialogues are based on compositions, they both deal with them strongly improvisational. Ley’s Scat and avant-garde extroverted vocal arts add continuously new overlays to which Payfert adds minimalistic sound sculptures with his four-string. Very unique and absolutely captivating! Olaf Maikopf, Jazzthetik (DE) 01-02/20


Exceptional music. A very beautiful duo. An astonishing and fascinating voice ... in extraordinary harmony with Laurent Payfert. Superb. 01/20 La nuit des sauriens, Radio Stolliahc (FR)


This duo cannot leave anyone indifferent. Its musical direction is radical. Love it or hate it. I chose my camp: I am definitely subjugated by the voice of Sascha Ley and the one, which passes through the strings and the body of the double bass, Laurent Payfert. The music is, as the subject, uncompromising. This album "It’s Alright To Be Everywhere" (you can easily guess the political positioning that hides under this title) is filled with cries of heart, cries of rage, cries of love. The voice and the bass join as much as they tear each other apart, repel each other as much as they intermingle, answer each other as much as they anticipate.

There is something very sensual about Sascha’s singing, and sometimes animal too. She sings, hisses, whispers, hiccups and he scratches, glides, pinches. The pieces are short, intense, as pictorial as they are abstract, as poetic as they are raw. At a few moments, towards the end, Jean Pascal Boffo’s guitar invites itself as if to prepare the arrival of Murat Öztürk’s soothing piano on a last piece, „Departure“, of a beauty and elegance unheard of. It is like a veil that rises and reveals a clear sky. We are floating after this intense trip, we are well, we breathe and say we have listened to a great record. Jacques Prouvost (BE) 12/19


An exciting and lovely album This 17 - tracks – record by Sascha Ley & Laurent Payfert, characterized by the unbeatable combination of vocals and bass the duo, has been created with guest musicians Jean Pascal Boffo (g, elec) and Murat Öztürk (p). The music lies on the border between freely improvised jazz with contemporary musical elements and more traditional vocal/bass constellations that we have heard from Sheila Jordan, in collaboration with Hervie Schwartz, Cameron Brown or Arild Andersen. However the most interesting thing on the record is when they take it a bit "out" and move into the freely improvising landscape. The music is entirely created by both the musicians.  And all the way through the 17 tracks this is extremely exciting. Not least because of the rich and good sound on the record where Pascal Boffo has controlled the levers.  Ley's vocals are great to listen to. And although she is an actor, I do not think the voice becomes theatrical or acted, which is often the case with artists who combine vocal performance with theater and film. Occasionally her voice is mixed in several layers over the bass, which creates a nice variation in the expression, and with the full bass sound of a well listening Payfert, this becomes an original and fine record.Payfert is a very skilled and creative bass player with a superb technique and many ingenious ways to use the bass, completely mastering the instrument.  Together they have created an exciting and lovely album, suitable for small gatherings. And I would be more than happy to sit down for a night or two to hear them at a little club in a basement somewhere in Central Europe. You should definitely put this exciting and varied music at the top of your list.

Jan Granli, Salt Peanuts (DK) 10/19


Once again Sascha offered the audience a monument of ingenuity and originality.

… delirium, a delightful delirium that involves the audience into an infinite, devestating, yet emotionally charged waltz. A journey that only Sascha can offer us. Her voice is unique. She paves the way for imaginary and illustrated worlds and universes which enable the listener to build and deconstruct all kinds of unprecedented scenes in his mind. Laurent Payfert is astonishing at the double bass, he is a man of sound, a ferryman of sound experiences. An massive musical program that took the listeners to the limits of psychedelism.” Zeitung  vum Lëtzebeurger Vollek 11/19 Michel Schroeder


It’s Alright To Be Everywhere, which has been released by JazzHausMusik turns out to be quite nice. Ley has a definite style on her own developed as singer, actress, poet and composer, while Payfert has a typical wonderful European style and sound. Inspired by those wonderful Sheila Jordan duet albums, but takes a different direction. One Man’s Jazz (CA) 11/19


An extraordinary duo - Recommendation of the week The singer, composer and music producer Sascha Ley has a unique voice and style of interpretation that combines jazz improvisation, folk and contemporary music. The artist, reaching for various vocal techniques, comes out victorious from each practice, as evidenced by her concerts and records warmly received throughout Europe. In 2015 the singer's fifth album "the wee hours" was released, which Sascha Ley recorded chamber-music-like in a duet with the French double bassist Laurent Payfert. The continuation of cooperation is a new album of this extraordinary duo, which will be released on October 16 by JazzHaus Musik. On the album "It's Alright To Be Everywhere" we will find 17 original compositions of both artists, largely based on improvisation. Spontaneous sound creations are an interesting mix of contemporary jazz and experimental music. Robert Ratajczak , Longplay (PL) 10/19

Our favourite vocal and bass duo. Yves Godot, Radio A.R.I.A. (F) 10/19


The two musicians have achieved their goal, the album sounds very organic, forming a very uniform and integrated whole. Like a concept album. No hard cuts, everything flows into each other and the audience can listen to the purist soundscapes unfolding in front of them or soak the work in and take off for a personal contemplative journey. The music is a mixture of jazz compositional standards and free improvisation ... a serious exploration of the depths and shallows of life in and of itself. Martina Folscheid Télécran (L) 10/19 


The new album by Sascha Ley and Laurent Payfert, It's Alright To Be Everywhere, reveals once again the experimental nature of their music. The opportunity for the public to (re) discover their talent for improvisation, characteristic feature of their music, sometimes impalpable, but still always explosive in live concerts. A duo that does not leave indifferent. Kévin Kroczek D’Land (LU)10/19









FESTIVAL Hüttenjazz Völklingen 2018


Dreamlike soundscapes.  Sascha Ley and Laurent Payfert offer something extraordinary at Völklinger Hütten-Jazz. A truly eccentric duo performed on Friday night with a combination of vocals and double bass. Singer Sascha Ley and Laurent Payfert showed this difficult art at high level. The promised enchantment with dreamlike and suggestive soundscapes reaches the enthusiastic jazz audience and is rewarded with much applause. Saarbrücker Zeitung(D) 08/18




Ley uses lyrics, scat, instrumental and experimental ways as well as a theatrical approach to her singing. The bass, skilled at percussive play, puts pizzicato on top of a loop of the bow... An exceptional and unprecedented duo. I cannot think of a duo to compare with. In their way of using the voice like an instrument and the percussive usage of the bass together with the layering of loops as an add-on, the duo from Luxembourg's jazz scene is unique. Jazz Perspectives (JPN) 08/17




Sascha Ley is a complete artist, actress of theatre, cinema, author of plays (..) and also singer. She is accompanied by her faithful double bass player Laurent Payfert. The duo offers us a set of vocal jazz, virtuoso, esoteric. A well-honed duo, knowing each other by heart. Sascha vocalizes, sings, creates sounds, noises and samples. The double bass follows, accompanies, or plays ahead. Osmosis. The universes are varied, one passes by romantic compositions, sequences of experimental jazz, and even a blues of Led Zeppelin. A high-level vocal mastery (..) Jazz-Rhône-Alpes 08/17 (FR)



Echoes from the UK

Luxembourg vocalist Sascha Ley and French bassist Laurent Payfert are a remarkable duo whose beautifully integrated music breathes fresh life into familiar songs, as well as heading off in bold new directions as Sascha's wordless vocals interweave with Laurent's freely melodic playing. Hypnotic and mesmerizing.  

Gateshead International Festival Newcastle 2017




Sascha Ley is a multiple talent: actor, director, and of course jazz vocalist. In the duo with the French bassist Laurent Payfert, she designs a fascinating modern jazz with a multifaceted alto voice. 11/16 Martin Laurentius



FESTIVAL Jazz en sol mineur

To see and to listen to Sascha Ley and Laurent Payfert in concert, is really something. On one side: a woman, singer, composer and actress, in short a complete artist, who shares a great pleasure with the audience to exploring her voice and bending it in every direction. On the other: a man and his other half, the double bass, which he knows by heart. From compositions extracted from their album "The Wee Hours" to covers and frenzied improvisations: you leave a concert by Sascha Ley and Laurent Payfert with balm for your soul. The audience does not want to cease their applause and eventually leaves the auditorium, entranced. Kévin Kroczek, LAND Kultur 08/16 


Album Reviews "The Wee Hours"


In case you know Sascha Ley, you will know what to expect from this CD. The Saarbrücken born vocal artist from Luxembourg, who also works as an actress and composer, is – if one may say so – without parallel in Europe. Melodious, expressive and with stunning lyrics (three of which can be found on the cover). Of course she makes ample use of her voice, not only when reciting/singing the lyrics, but also in order to perform them in a moving manner; in every respect an extraordinary singer and musician. She is accompanied by the bass player Laurent Payfert and thereby connected to the entire spectrum of acoustic music this enchanting solo artist stands for. There is a lot of storytelling, acting and improvisation involved in each of these songs. Here we find music and drama combined in a unique way. 11/2015 Hans-Jürgen von Osterhausen 



The Luxembourgish vocalist Sascha Ley has been trained among others in Amsterdam. She practices what she calls herself "instant composing". You might know Sascha from the ensemble Kalima with a pianist and a saxophone player (see the Jazzflits 200 review of the CD „Everything Within“). On "The Wee Hours" she presents an improvising duo with the double bassist Laurent Payfert. It is an album with a lot of improvisation and just a few songs. No standards. The "normal" songs (“Pilgrim of Happiness”, “Naam Cha Cha” and ”Ballade Bleue”) feature the vocalist who really can sing. Moving off the beaten paths even here. The remaining pieces seem improvised on the spot. As in “Aiutami”, as well as in “The Wee Hours” and “What's Up” she keeps playing with words and melody, with the sound possibilities of the mouth and throat. Sascha is accompanied by an inventive double bass. In some pieces loops serve as a basis for the improvisation. “India Callin’” delivers many opportunities for voice and bass variations by trying to contact India through a bumpy connection, including Indian rhythms and vocal sounds. Fans of Greetje Bijma will enjoy this album for sure. 08/15 Hessel Fluitman 



CD tip of the month of June 2015 ! An exciting journey through jazz, instant composing and improvisation. Being only two, the duo explores the sonic possibilities of voice and bass, often onomatopoeic, with few but powerful lyrics. A kind of musical theater, that goes without pictures, but all the more creates impressive atmospheres. 06/15 Mane Stelzer 



Atmospheric density and fearless tracks. A challenge to the jazz. A toxic, shattered and battered masterpiece. 06/15  Mike Dostert



A royal voice. The album reveals both a bold and adventurous jazz. Sascha 's voice and Laurent’s double bass interact and infiltrate each other until they remove all locks and enter the world of sound on rarely explored paths. 06/15 Annie Gaspard



Hear sophisticated jazz. Sublime vocals and cool acoustic double bass. Their mix of jazz, popular songs, minimalist improvisation and even on-the-spot composition makes for a fascinating evening. (…) moving and seductive. 06/15 Duncan Roberts



A splendid new album! A splendid voice. 06/15  Paolo Travelli



An album full of texture and colours! 06/15 Ron Tuffel



A splendid job!! Paolo Travelli 05/15 Voices by Passaparola


Radio RUM Marburg (D)

CD of the week! An outstanding edition. Musically adventurous. 05/15 Constantin Sieg

photos Lugdivine Unfer





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